This is the first video in a series of lessons where I’ll be teaching y’all how to play country and bluegrass rhythm guitar fill riffs, chord embellishments, lead guitar solo techniques, and more! We’re going to start this series with the most basic beginner concepts and work our way up to more advanced techniques each lesson. As we discuss these topics, I’m going to highlight the note combinations and other progressions that’ll give your guitar playing that country and bluegrass sound.
The 5th position of the G major pentatonic scale is the most important scale position in country and bluegrass. It’s used all the time to play open licks and open chord rhythm embellishments. In this guitar lesson video, I’ll show you how to learn and practice the 5th position G major pentatonic scale. Then we’ll go over an easy way you can apply this scale to a basic country and bluegrass chord progression.
In the previous lesson of this series, we learned the 5th position of the G major pentatonic scale and I showed you how to apply this scale to a basic country and bluegrass chord progression. In this lesson, we’re going to start breaking out of the pentatonic scale box using five additional major scale notes. Adding these extra notes is the first step towards making your fill riffs sound more country and bluegrass. I’ll give you some pointers on how you can use the G major scale to create riffs and we’ll also have a tablature download with several nice major scale riffs to get you started!
Up to this point, we’ve studied how you can use the 5th position major scale notes to create country and bluegrass riffs. Next, to make your riffs sound even more country, you need to mix in the 5th position G minor pentatonic scale. In this lesson video, we’re going to learn the 5th position of the G minor pentatonic scale and I’ll show you how to use it with your fill riffs and chord embellishments. In my opinion, the 5th position of the G minor pentatonic scale is the second most important position of the pentatonic scales when you’re playing country and bluegrass.
In the previous lesson, we learned the 5th position of the G minor pentatonic scale and I showed y’all some nice country and bluegrass riffs to get you started with your improvising. Now let’s make it sound even more country by adding in a couple extra “blues” notes. The blues scale is basically the minor pentatonic scale with one extra note added per octave — the sharp 4th or flat 5th degree. With the right combinations, these blues notes will really make your playing sound country and bluegrass. Let’s break down the blues scale, important fill techniques, and six country and bluegrass riffs with tablature.
Now let’s make your fills sound even more country! In the previous lessons of this series, we’ve seen how the 5th position key of G major and blues scales overlap. The next step is to combine these scales into a “hybrid” country/bluegrass scale. See the Charts tab below for a diagram of this hybrid scale.
In video #1 of this post, I’ll break down the scales and give you some extra pointers on how you can start to combine the major and blues scales. In video #2, we’ll go over several nice bass note chord transition fills that use this hybrid country scale.
Last lesson, we looked at the 5th position hybrid scale in the key of G. I talked about how this is the most important scale for making your guitar sound country and bluegrass. We also used this hybrid scale to add some bass line fill riffs over a simple progression.
In this lesson, we’re going to use this hybrid scale to improvise with fill riffs over the bluegrass song “Cripple Creek”. First, I’ll give you a quick recap of the hybrid scale. Then, I’ll teach you the “Cripple Creek” chord progression, some beginner fill riffs, and some more advanced fill riffs for the intermediate players. Everything we’re covering in this lesson will come in handy at your next bluegrass jam.
Last lesson, we used the hybrid country and bluegrass scale to improvise with fill riffs over the song “Cripple Creek”. We went over the chord progression, some beginner nice fill riffs, and some more advanced fill riffs for the intermediate players.
In this lesson, we’re going to practice the 5th position key of G hybrid scale over the song “Honey, You Don’t Know My Mind”. First, we’ll break down the song’s chord progression and strumming. Then, I’ll teach you three different variations of the song’s instrumental break — we’ll have a version for the beginner pickers, a more complicated intermediate version, and an advanced version for the experienced pickers. This is another great song to play at your next jam!
Till now in this series, we’ve learned the 5th position scales in the key of G that are used to create country and bluegrass style fills. We combined all these scales into one “hybrid” scale and applied it to different chord progressions. Most of the riffs we studied were played with eighth notes and sixteenth notes.
In this lesson, we’re going to add a bit more rhythm variety to our country and bluegrass fills with triplets. I’ll give an overview of triplets in the first video below. If you’d like to read more about triplets, you can head over to our triplets music theory page. In the second video of this post, I’ll teach you six nice triplet style chord embellishments that you can play over the G, C, and D chords. In the third video, we’ll run through a chord progression example you can use for practice.
In this lesson, we’re going to travel up the neck in the key of G using the 1st position hybrid country guitar scales. I’ll teach you the four main scales you need to learn in the 1st position and I’ll show you how to use these scales to get a country and bluegrass sound out of your guitar. Then I’ll show you some of my favorite country and bluegrass fill riffs in the 1st position key of G.
In this guitar lesson, we’ll take a look at how to play country and bluegrass rhythm fill riffs in the key of D. I’ll teach you six of my favorite fill riffs in the key of D and we’ll practice them with a nice country and bluegrass rhythm progression. We’ll also talk about the guitar scales we’re using here in the key of D to get this country and bluegrass sound. Download the practice progression tablature below the video.
In this guitar lesson, I’ll show y’all some fun ways to use key of D guitar scales to play country & bluegrass fill riffs. All of the licks we’ll cover today are great for transitioning between chords, and they’re also useful for playing country & bluegrass guitar solos. First, we’ll cover the main scale shapes that you need to memorize. After that, I’ll teach you ten of my favorite country fill riffs in the key of D. My main goal for this lesson is to show you how I visualize key of D scale shapes when I’m improvising key of D riffs. This should be a useful lesson for the rhythm guitar folks and also for the country & bluegrass lead guitar pickers!
In this guitar lesson, you’ll learn four country & bluegrass guitar riffs in the key of D that work up the neck a ways. These four riffs can be pieced together to create a guitar solo or you can use them as rhythm fill riffs. They’re all around great riffs that’ll give that country & bluegrass sound we’re going for. After you learn the riffs, we’ll talk about the guitar scales we’re using today to create these riffs so you can see where the notes are coming from instead of just learning licks and playing them from memory.
In this guitar lesson, we’ll apply several of the country riffs we’ve studied in this course by learning how to play two country lead guitar solos in D over “I’m From The Country” by Tracy Byrd. Before we learn the solos with tablature, I’ll give you a quick overview of how the solos are structured around the rhythm guitar chord progression. After you master the solos, practice along with our full-length country backing track in D.
In this guitar lesson, you’ll learn how to play a classic country intro in the style of Merle Haggard along with some nice country fill riffs that’ll spice up your country rhythm guitar. First, we’ll work through the intro with tablature. Then, we’ll talk about the guitar scales you should learn to get this classic Merle Haggard sound in the key of E. After that, we’ll go over two rhythm progressions in the style of Merle Haggard that are loaded with classic country bass line walks and fills.
In this country guitar lesson, you’ll learn how to play a variation of the 12 bar blues that has a country & bluegrass twang. In both arrangements below, we’ll use triplets to spice up our country fills and we’ll also replace strumming with crosspicking in certain measures to make our rhythm sound even more country. These country 12 bar blues progressions are in the key of G and you can use the fill riffs that we’re studying in this guitar lesson with a bunch of other country & bluegrass songs. Pay close attention to how we’re structuring each country guitar lick around the rhythm chords.
In this country guitar lesson, you’ll learn how to play six intermediate country guitar riffs in drop D. We’ll also have three easier drop D riffs for the newer country pickers. I’ll play the drop D licks with tablature and give you a full breakdown along with some helpful music theory tips. After you learn the licks, practice along with our jam track and also test them out over “Modern Day Bonnie and Clyde” by Travis Tritt.
In this guitar lesson, you’ll learn three country strumming patterns that work great for classic country. Then we’ll practice the country strumming patterns over a couple of chord progressions in the style of the old classic song “Your Cheatin’ Heart” by Hank Williams. After we work through the rhythm guitar parts, we’ll switch gears and I’ll teach you a simple classic country guitar solo that you can play along with “Your Cheatin’ Heart”. Overall this is a great lesson for classic country strumming and lead guitar.